Showing posts with label gender. Show all posts
Showing posts with label gender. Show all posts

Tuesday, August 28, 2012

Fashion Summary

My goal was to get this done before the summer ended...(according to my job, that means end of August.) So here is my super nerdy Disnographic about my Renaissance fashion adventures! Yup, it's probably more than you ever wanted to know. But I figure that's like my whole blog. So really I'm just being consistent.


I am super proud of myself for putting together a whopping 47 outfits (46 Disney, 1 Avengers) and spending only 80 bucks on 10 new items! I've realized that I'm pretty passionate about being creative on a budget. There are few things that thrill me more.

I also find it quite interesting that I created outfits for twice as many male characters than female characters. I think there are actually a lot more male characters in Disney movies. Weird, huh?

Now for my faves!

1. Favorite Hero Outfit: Hercules
I love this color combination! It's something I definitely would not have done before... in fact, I think this is the only orange-rust colored thing I've ever owned.
Honorable mention: Beast

2. Favorite Heroine Outfit: Belle
Here's an outfit that required no new purchases. Most people remember Belle's yellow evening gown but her "daytime" look is much more my style.
honorable mention: Mulan

3. Favorite Villain Outfit: Gaston
I love that this outfit is both accurate and still totally wearable. I've never worn a belt around this shirt before but now I know I can!
honorable mention: Frollo

4. Favorite Sidekick Outfit: Magic Carpet
This was definitely one of my most creative outfits, straying far from the original character's look. I loved creating a new outfit from old clothes that I could wear again in the future.
Honorable mention: Crikee and Flounder

How do you think I did? Which was your favorite outfit from the entire project? Leave your thoughts in the comments. I need more verbal affirmation, people! haha. 

Sunday, June 17, 2012

Disney Fathers - Two Types



Have you ever noticed there are really only two types of Disney fathers?

1) Strong, powerful, serious. Not particularly verbose, often has anger issues. Angular face, broad-shouldered. Almost always a king or leader. Undeniably good, but priorities to stay in control or to protect their family/kingdom can be their downfall.

Examples:
King Triton, Mufasa, Chief Powhatan, Zeus, Fa Zhou, Kerchak

2)  Short, fat, round, bumbling. Overly talkative and often mumbly. Comes off as silly and harmless, yet lovable. Hard to take seriously.

Examples:
Maurice, Sultan, Archimedes Porter (Jane's dad)

I've always been fascinated by this. Why are there only two kinds of fathers depicted in Disney movies? What does this communicate about the image of a father or a man?

Do these father images resonate with your experience, either as a father yourself or the fathers in your life?


Happy Father's Day! 

To my dad, who took me to my first Disney movie experience when I was 10. I have a vivid memory of him not falling asleep, as he was prone to do during most movies, but laughing and smiling along with my siblings and me. I guess you could say he's a Disnerd too (although recently I had to explain this term to him. That was a hilarious conversation.)

Monday, June 4, 2012

#36: A Great Honor

(c) Disney
Mulan, 1998
watched May 28, 2012

I've always thought it was cool that Mulan not only kicks ass (yup, I just said "kicks ass" about a Disney character. I can do that, because this is my blog), but that she's also the first Disney "princess" to resemble the faces I grew up with--my mom's, my aunties', my sister's, my own. And as I've grown in my own ethnic journey as Chinese American woman, I appreciate how significant this is.

Instead of the painful racial stereotypes found in past Disney films, Mulan brings a refreshing humanity to the Chinese people and culture. This adaptation of the ancient legend tells a compelling story about a Chinese woman, a voice not often heard throughout literature and history. Two memorable scenes seem to linger within me as I reflect on the film's connection to the experience of Chinese (and more broadly, Asian) women.

First, when the Emperor appears he's about to rebuke Mulan for her disobedience and recklessness, he instead commends her for saving China, giving her the highest honor: his personal gratitude. She reacts in shock, turning around to see the entire kingdom of China bowing to her.

Then, as Mulan presents Shan-Yu's sword and the Emperor's crest to her father, she hopes she might at last bring honor to the family. Falling to his knees in an uncharacteristically candid manner, Fa Zhou tosses the symbols of honor aside and embraces Mulan. He says,
"The greatest gift and honor is having you for a daughter."
Inexplicably, my eyes start to water uncontrollably at these moments. Must be the dust.

At last, Mulan is publicly recognized for her accomplishments. She is called a hero; she is called worthy. As it's culturally frowned upon for Asian women to call attention to our achievements, we constantly look to others for approval. We long for the assurance that we are worth something, that what we do matters. Perhaps I feel this more acutely as someone naturally drawn to behind-the-scenes work. In any case, the praise Mulan receives represents the affirmation that I yearn for as an Asian American woman. Watching the multitudes honor Mulan helps me see that I, too, contribute something valuable to my community, even if it looks very different from what's traditionally accepted.

On the other hand, Asian women also become trapped in a constant cycle of people-pleasing, trying hard to earn a place at the table, to prove themselves good enough. Success always seems out of reach. The last scene with Mulan and her father echoes good news: achieving greatness has nothing to do with the unconditional love my Father has for his daughter.

When I am prone to see myself as unworthy, useless, or unlovable, Mulan reminds me of the truth: I'm a deeply beloved daughter of God, empowered with unique gifts that can change the world. This message isn't just for Asian women, but for all who call him Father. Indeed, it's an honor to us all.

Monday, March 26, 2012

#28: The Not So Modern Princess

The Little Mermaid, 1989
watched March 18, 2012

(c) Disney
The Little Mermaid holds importance in the Disney canon for so many reasons that it is difficult to narrow in on just one thing to write about. One notable aspect of this film is that it was Disney’s return to fairy tales. The last fairy tale to be brought to the big screen was Sleeping Beauty in 1959. Although this return was timely and effective, the gap of 30 years brought a lot of interesting changes in the way these tales were interpreted. What I find most intriguing is the shift in the portrayal of young women.

Past female characters were known not only for their propriety but also their relative passivity in regard to their situation. (Two of them sleep during the entire climax!) As culture has changed our ideals of women, this kind of heroine just doesn’t appeal to audiences anymore. Instead,we see the emergence of a ‘liberated’ woman, independent, and unwilling to wait on the sidelines while the boys get all the action, beginning with the fiesty redheaded Ariel. And this is the kind of woman all subsequent Disney films has featured ever since The Little Mermaid.

And I’ll admit--I do relate more closely to Ariel than Sleeping Beauty or Snow White. Yes, she's a trouble maker, but she’s also smart and curious about the world, she has a vivid imagination, and she seeks to live life to the fullest. This seems a great deal more interesting and admirable than the well-behaved, modest princesses of the past, who are so poised and perfect that it's hard to imagine myself in their shoes.

But isn’t it interesting that whether or not a princess is passive or rebellious, that we always end with the same happily ever after? Ariel does little that could be considered selfless or virtuous, and yet she reaps the rewards of all of our previous Disney heroines: the love of a handsome prince.

And so we see the irony in the so-called "modern" Disney princess. No matter what kind of girl you are, according to Disney, the ultimate "fairy tale" reward is still romantic love, marrying the prince, and living happily ever after. Ariel could have channeled her curiosity about the human world to become a merfolk-human relations ambassador, an archaeologist, or maybe an art history teacher. And perhaps with better guidance, she could have been encouraged to pursue these things. But choosing to depict Ariel with such a vibrant, adventurous spirit, only to have her end up as the wife of yet another "prince charming" seems unoriginal and kind of disappointing.

As I reflect on growing up with TLM, I can’t help but wonder how it and other similar stories have shaped my ideals. While these independent, strong female characters give a sense of empowerment, under the surface their fairy tale romances often tempt me to believe that I'm incomplete without a man by my side. It's an age old myth, perpetuated through even these modern Disney films.

Let me clarify one thing: I still love The Little Mermaid. As a movie, it's entertaining, engaging and timeless. Not insignificantly, it began a period of artistically and musically groundbreaking Disney films, with lovable characters and stories with heart. But as I work through this blog project and reflect on the narratives that have shaped my childhood, lots of questions are being raised, and I'm merely exploring possible answers. I'd love to hear your thoughts on the "modern" princesses and how they may have influenced you as children.

Tuesday, November 22, 2011

Disnographic of the Month - Villains & Gender

Well, I wasn't able to create a Disnographic in October, but I'm back on schedule now! I created this Disnographic because I was curious to see what the breakdown of gender was among Disney villains. I was quite surprised that male villains outnumber female villains, more than 2:1. Also interesting is how prominent female villains are in the first 20-30 years of Disney movies compared to the later years. What does this mean?! I don't know, but it's fascinating isn't it? :)

*Note: There were some villains I did not include in here because their characters were either too ambiguous or too minor to really count as a full-fledged "villain". If there was more than one villain in a film I only counted the 'main' villain. Some films also didn't really have any villains at all. Therefore, only 36 of the 51 films are represented here.

Wednesday, November 9, 2011

This is Disney, Man.

Since beginning this blog I've received a lot of Disney-related articles and random tidbits from friends. I wish I could comment and respond to all of them here but I simply don't have enough time. I will try to post the things I find funny, entertaining or thought-provoking. Let's start with a video essay on the portrayal of masculinity in Disney films, sent to me by Glenn. It isn't a new video but resurfaced on a blog that he reads.

I thought this essay was particularly interesting because we see plenty of critique on the messages Disney communicates to young girls. The 'princess thing' has become a both popular as well as controversial (seems like those words are basically synonyms these days). But it's fairly rare that anyone talks about what messages are being sent to boys. The essayist raises some legitimate issues, but I have to say I don't quite agree with everything he says.

Watch it here first before reading my analysis:


The essay begins with this quote:
"Images [in media] shape what we know & understand about the world."
I believe this has truth to it - but as a follower of Jesus, I know that what ultimately shapes my knowledge of the world is what God reveals through His Word. Images in film or other media may influence us, but as Christians we need to figure out when we're being lied to (it's pretty often). We need to hold these images against what we know is true in Scripture.

Mr. Newton has 3 main points in his essay, regarding sexism, strength and dominance. I'd like to look at each one briefly. I'll comment on the examples he gives as well as give some of my own. He seems to use mainly Renaissance films as examples, so I will too.

Sexism - Women as objects
"Often, the message to boys, both implicitly and explicitly, is that men should view women as objects of pleasure, or as servants to please them."
Gaston
Gaston's attitude toward women is definitely seen as barbaric. While he appears to be physically ideal and manly, his arrogance and selfishness makes him unattractive. I doubt that Gaston would be seen by boys as someone to look up to - he is clearly the villain. It is his very barbaric way of thinking that drives him to madness, jealousy and rage.

"A Girl Worth Fighting For", Mulan
It's true that some of the lyrics in this song can come across as quite chauvinistic: "I couldn't care less what she wears or what she looks like / it all depends on what she cooks like: beef, pork, chicken, mmmm."

On the other hand,when Mulan suggests, "How 'bout a girl who's got a brain / who always speaks her mind?" their unison response, "Nahhh!" is clearly ironic. Including this line in the song communicates that this old-fashioned view of women (which, I must point out, has existed in Chinese culture for many centuries, way before Mulan was released) is just that - old-fashioned. A smart audience will catch onto that and not take the song too seriously.

Aladdin
In Aladdin, there is another example where Disney men are talking about women as objects. The Sultan, Jafar and Aladdin are found discussing Jasmine's future without her (known) presence. She storms in and angrily exclaims, "I am not a prize to be won!" In this moment we see all of them respond sheepishly. Aladdin is especially ashamed, and learns that he must pursue Jasmine not as a prize but as a person.

So, I'd like to argue that while there are male characters who may view women in this way, they are the very characters that are seen negatively or need to undergo a change of heart. Therefore, the message here is not that men should view women as objects or servants, but that men who do are either villains, or need to change how they think.

Strength - Physical prowess 
Body image is definitely a topic which I hope to cover in future posts. After all, cartoon drawings provide an opportunity to say a lot with shape and size, to stretch beyond physical reality and create images that could not exist in real life. How they depict human figures provide a strong message about ideal body image.

Gaston
Again, I don't really think Gaston is the best example that Mr. Newton could have used. Although he is unquestionably physically built, his character is never seen as exemplary and therefore even his outer physique is unattractive.

Hercules
Hercules' muscular physique and good looks does garner definite praise in that film ("Honey, you mean HUNK-ules!" "When he smiled the girls went wild with oohs and aahs!"). As the story progresses, though, he realizes that all of the hard work he puts in to becoming physically strong doesn't qualify him to become a "real hero." He only achieves that goal when he learns the meaning of self sacrifice, giving up his own immortality for the woman that he loves. I think that the message here is: physical strength may be nice, but true courage comes when you've learned to be selfless. This has much more to do with inner character than outer beauty.

Quasimodo
One of my favorite heroes of Disney movies is a male character who is not physically attractive - Quasimodo from The Hunchback of Notre Dame. What we see in his character is that even someone cast out from society due to his physical deformities has worth. Through his courage, he brings justice to a corrupt city. It's true, he doesn't get the girl at the end (the more good-looking Phoebus does). But what he does get is restoration to the community, which I think is a far more powerful end to the story.

Dominance & Violence
Mr. Newton argues that Disney films support the masculinity of dominance and violence, both in being "man enough" to fight, and in the climactic scenes featuring male characters fighting each other.


Gaston vs. Beast
I really wish Mr. Newton didn't keep using Gaston as an example. I'm beginning to sound repetitive here. Yes, Gaston ridicules the Beast for not wanting to fight back. But during this scene, the audience is sympathetic towards Beast. He has just lost Belle (or he thinks he has) and therefore he doesn't engage in a fight because he doesn't think he has anything left to live for. No one is going to be thinking, "Yeah that Beast, what a wimp." Instead I'm thinking, "Stupid Gaston. Why are you trying to prove yourself? Belle is never going to love you!"

Simba vs. Scar
The battle between Simba and his uncle is not merely about dominance. Simba had run away from his past for years. He had been afraid to step into his role as king. Returning to Pride Rock to challenge Scar meant that he was choosing to own up to his responsibilities, and that although he feels guilty about his past, he knows that something is more important. It should also be noted that Simba does not actually initiate a physical fight. When given the chance to kill Scar, he actually tells Scar to leave Pride Rock. He tries to end the conflict without violence. Scar, the villain, is the one who attacks. Engaging in violence is seen as something only a villain would do.

Tarzan vs. Clayton
I don't actually think most Disney films end with a battle between two men. There are many films that feature a female villain, for example. And in Mulan, well, we all know she totally kicks butt all on her own. But, using an example along the lines of this argument, let's talk about the battle scene in Tarzan. Tarzan returns to his gorilla family when he realizes that Clayton means to capture and kill them. I think the message here is much more about protecting and caring for your family than it is about engaging in violence. What this says to us about manliness is that a man protects the vulnerable.

Jafar
Another example is Jafar. He is one of the most power-hungry characters in these films. But it is that very thirst for power than becomes his downfall. Aladdin uses Jafar's ambition against him when he tricks him into becoming a genie. The lesson learned? Power isn't the answer.

Concluding thoughts
Maybe these messages are less overt than the ones this guy is talking about, but they're still there. There is definitely stuff on the surface that could lead one to make conclusions like Mr. Newton. But on a deeper level, Disney films have more to say. At least when it comes to the newer films (the one he uses in his video), I don't think the message to boys is about treating women poorly, having physical strength, or dominating power over others at all costs. In these examples, valuing women is encouraged, strength beyond just the physical is praised, and power can be used to protect, love and care for others. Moreover, characters who treat women as objects, pride themselves in their physique, or hunger for too much power, are the same ones who are unquestionably villainous or foolish.

I expect that how male characters are portrayed in older films such as The Jungle Book, Robin Hood or Peter Pan, will provide some interesting insights into how Disney has evolved. The question is, was Disney merely responding to cultural shifts or are they the ones setting the standard?

As always, your thoughts are welcome! I'd especially like to hear from the men out there - how have Disney movies influenced you and your view of masculinity?